FEATURED WORK
COMPASS
PSA – The Cost of waiting
TRISTAN ZIMMERMANN
THE STORY OF GENERAL NOTION
BARTLETT GUITARS
HOW WE BUILD A WORLD CLASS BESPOKE ELECTRIC GUITAR
EDDIE DELLA SIEPE
I’LL BE FINE
COMEDY SPECIAL
We grew up on physical things. Tapes you had to flip. Cameras that made you wait. Music you replayed until it etched itself into you. That pace taught us something most feeds do not. Sit with it. Feel it. Let it land.
We are fluent in today’s tools and standards. We love what technology makes possible. But we do not let it rush the work. We do not chase noise for attention.
We partner with brands and artists to create films and original scores with texture, restraint, and emotional weight. Work that is crafted, not cranked out. Work that connects because it was made by people who remember what it feels like to slow down.
Modern tools. Analog instincts.
The work gets better when disciplines collide.
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Documentary
Analog Child approaches documentary work with curiosity, discipline, and a refusal to settle for the obvious. We chase real stories with cinematic intent—stripped of noise, grounded in human detail, and built on earned trust. Partners work with us because we create documentaries that feel lived-in, visually distinct, and built to last beyond the moment.
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Narrative
Our narrative films are shaped by character, atmosphere, and a quiet confidence in craft. We build worlds with intention and let performances breathe, allowing each story to find its own rhythm. Investors and collaborators choose us because our work carries a clear voice—ambitious, focused, and free of the clutter that weighs down most independent film.
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Commercial
Analog Child brings a filmmaker’s eye to commercial work. We translate brand ideas into refined, filmic moments that cut through with simplicity and style. Clients trust us because we make work that feels handcrafted, emotionally sharp, and unmistakably distinct—creative built with substance, not spectacle.
SCORING
Music and sound
as Part of the DNA
Analog Child isn’t just a film studio — we’re musicians, composers, and producers who build projects with an instinct for tone and rhythm. Sound isn’t an add-on for us; it shapes the way we shoot, edit, and tell stories. That musical background gives our work a distinct feel — more textured, more intentional, more emotionally precise.
We compose and produce original scores for our own films, and we collaborate with other production houses that want music with character and clarity. Alongside our in-house craft, we draw from an extensive network of artists, producers, and mixers — people we’ve worked with for years — so any musical idea can be shaped, expanded, and fully realized. Whether it’s a full cinematic score or a subtle atmospheric thread, we create sound that deepens the story rather than decorating it.
A bespoke score gives your film its own sonic fingerprint. Memorable. Distinct. Yours.
IN MY OWN TIME
Produced by WARD 1 STUDIOS
Our friends at Ward 1 Studios asked us if we’d be able to score their feature length documentary in just under two weeks. Normally, we’d never think that this was something we could possibly execute, but we also love a challenge. It was definitely one of the greatest challenges we’ve faced and we were able to deliver in time for them to mix and master before their premiere.
Produced and Directed by Blair Cameron and Sandy Clipsham (Ward 1 Studios)
Original Score by Dustin Seabrook and Tobin J. Stewart (Analog Child)
MUSIC VIDEOS
Royal Castles
I Don’t Think I Like You
Geordie Gordon
Tambourine
Other Services
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Brand Shorts
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Performance
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COMMERCIAL